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Open Conferences | Seminars
Sep 08, 2010
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Sep 10, 2010
Beyond Landscape. Photography and film as place archivesLandscape has expanded its repertoire and has done so in such a way that the term is no longer convenient and/or appropriate to designate the subject of many current studies of that "subject”. Workshop
Oct 04, 2010
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Oct 08, 2010
Electricity and animated objectsKinetic art has a long history, dating at the very least to Middle Eastern automata of the 8th century, when singing birds, wind powered statues, and human-like flute players adorned both public and private spaces. Self-publishing encounters
Nov 04, 2010
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Nov 05, 2010
Marraz(i)oak 2Duplicities of Traditional Tales: Illustration, Script and Home Publishing Workshop
Nov 15, 2010
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Nov 18, 2010
Allegories“Ça a été”, is the phrase with which Roland Barthes, in Camera Lucida, sums up the essence of photography. That has been. When faced with an image, my first reaction is to confirm the existence, in a given moment of history, of what it is showing me. Barthes did not deny the possibility of the image’s rhetoric, to which he had devoted one of his first texts on photography, but the constancy of what is real asserts itself over the interventions of the photographer, of those who subsequently manipulate the image. Document Actions |
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